Articles, Essays, Fictions, Etc.

Why Ridiculous Official Propaganda Still Works
CounterPunch, January 13, 2017
ZeroHedge, January 13, 2017
The Greanville Post, January 14, 2017
Belligerent Act, January 17, 2017

Manufacturing Normality
CounterPunch, December 6, 2016
ZeroHedge, December 8, 2016
The Unz Review, December 8, 2016
The Greanville Post, December 9, 2016
Belligerent Act, December 10, 2017
Agora Vox (French transl.), December 14, 2016
Tlaxcala (Portuguese, French transl.), December 22, 2016

Oriente Mídia (Spanish transl.), January 8, 2017

Trumpocalypse (a/k/a The Death Throes of National Sovereignty)
CounterPunch, November 25, 2016

The Pathologization of Dissent
CounterPunch, October 27, 2016
The Unz Review, October 27, 2016
The Greanville Post, December 9, 2016

The Party
CounterPunch, October 14, 2016

The Rise and Fall of the Trumpian Reich
CounterPunch, September 21, 2016

How America Learned to Stop Worrying and Love the War on Terror
CounterPunch, September 9, 2016
Public Reading Rooms UK, September 2016
Vocidallestero (Italian transl.) September 2016

The Dawning of the Age of Non-Terrorist Terrorism
CounterPunch, August 1, 2016

The Blood-Dimmed Tide of Neo-Nationalism, and Other Scary Simulacra
CounterPunch, July 12, 2016

Welcome to “Reality,” Kids
CounterPunch, June 14, 2016

Trumpocalypse: America Saves the World Again!
CounterPunch, June 3, 2016
The Greanville Post, June 4, 2016

The Mainstream Media and Its Discontents
CounterPunch, May 17, 2016
Die Propagandashau (German transl.) May 20, 2016

Coming this summer … Revenge of the Bride of Sophie’s Choice
CounterPunch, May 4 2016

The Corporate Media Echo Chamber
CounterPunch, April 25, 2016

Krugman the Magician
CounterPunch, April 19, 2016

Seasons Greetings to the Theater Community
The Reader Berlin, December 2015

C. J. Hopkins Interviews Himself, with an introduction by Thom Dibdin
All Edinburgh, August 2013

The Holographic Hitler Projector
Berlin Stories/National Public Radio, 2012

The Network
Absinthe Literary Review, 2002

N.B. Reprints and translations of original essays do not necessarly imply CJ Hopkins’ authorization or approval of same, but they don’t necessarily imply his non-authorization or disapproval of them either.

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